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The Arp Schnitger Organ The
Mariana organ has 18 stops (ranks of pipes with different sounds
and heights) distributed in two manuals (keyboards). It blends Portuguese
and German influences: the front, called “Hamburg façade,”
is a trademark of Arp Schnitger and his school, just like the division
in two manuals. The division of the stops – they can be selected
together, the right hand only, or the left hand only – indicates
the Portuguese influence.
The organ’s stay in Portugal influenced its
decoration: it is done with Chinese motifs in shades of burgundy,
dark green, and golden, probably resulting from the strong influence
of the 18th century Asian colonies. The trumpeter angel, atop the
case, carries a standard with crossed arms, emblematic of the Franciscan
order.
Installed in a veranda or balcony slightly lower
than the church’s high choir, the organ lies against the wall
of the superior tribune. The only artist to enter the 1753 contest,
José Francisco Lisboa, the father of the architect and sculptor
Aleijadinho, built the balcony. Although the instrument was not
built for the cathedral, its physical and sound volume is very adequate
to the church’s internal area.
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